Showing 49–60 of 75 results

QUEEN MARY II
QUEEN MARY II

The Queen Mary was a modern ship. The British combination of traditionalism and modernity was considered too sterile by the some critics of the 1930s. But whatever said, the Queen Mary was a beautiful ship – inside and out. Her interiors had over fifty different woods, collected from all over the British Empire. Inside the Queen Mary’s staterooms, you could easily make out that you were on a ship. Previous liners had disguised their interiors to palaces and manor houses, but the Queen was not afraid of looking like a ship. Around the vessel nautical touches were displayed and the round portholes were proudly exposed. The first class lounge was a two deck high creation with little groups of tables and chairs cosily put together around fireplaces and in the room’s corners. But perhaps the highlight of the ship was her first class dining saloon. The long tables of the old ocean liners had been long gone, and just as in the lounge the tables were grouped with two to four chairs a each. For larger companies bigger tables were naturally available. On the short-side wall a giant map of the Atlantic was mounted. It showed the exact position of the Queen Mary during a transatlantic voyage. When Queen Elizabeth entered service after the war, you could see the position of the sister-vessel as well, and thereby knowing when they would meet on the Atlantic. The first class accommodations were vast with plenty of elbow room, all with a light touch of Art Deco, the new type of art introduced by the Île de France in 1927. One beloved feature was the small and exclusive Verandah Grill, just below the main mast. The Queen Mary had been intended to have three classes: First, Second and Third.

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RIVA AQUARAMA
RIVA AQUARAMA

The name Riva is synonymous with class, quality and the highest of European standards. Introduced in 1963, the Riva Aquarama is the last of the traditional Italian mahogany runabouts.

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RIVA AQUARAMA (BLUE)
RIVA AQUARAMA (BLUE)

The name Riva is synonymous with class, quality and the highest of European standards. Introduced in 1963, the Riva Aquarama is the last of the traditional Italian mahogany runabouts. It is an object of desire and an expression of dreams. Nothing came near to matching the superb quality, style and prestige of the Riva. Always innovating, always ahead of its time, and always exhibiting a style and quality beyond comparison, Riva triumphs at all the boat shows and on all the markets in the world. Kings and emperors, princes and sultans, actors, sportsmen and celebrities headed straight to Riva to choose their boats in the same way as they went to Rolls-Royce or Ferrari for their cars.

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RIVA ARISTON
RIVA ARISTON

Alongside the Aquarama, the Ariston is perhaps Riva’s best known model, and certainly one of its most popular. When production ceased in 1974, twenty-four years after the model was first conceived, over 1,000 boats had been built. Over this period, many modifications were made, not least its length – which ranged from 6.2 to almost 7 meters – and the size of the single engine fitted, which ranged from 105 hp to 350 hp in the Super Ariston, powerful enough to take it to a top speed of 80 km/h

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RIVA COSARO
RIVA COSARO

The Corsaro, based on the AR Sport motorboat designed by Carlo Riva in 1946, entered production in 1950. Although only forty were built, it set the scene for later Riva models with its elegant lines and tapering stern. Ranging in length from 4.8 to 5.65 metres, the two-seat boat was fitted with a range of different engines over its lifetime. Only one is known to survive

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RIVA FLORIDA
RIVA FLORIDA

The Florida design, first penned in 1952, was another enduring classic in the Riva range, as well as the most popular of the wooden boats to be produced on the shores of Lago d’Iseo. Between 1952 and 1969 1,137 boats were built, comprising 426 normal Floridas and 711 super Florida slightly larger and more powerful.
Named after the American state most closely associated with water-skiing, the Florida design features a cockpit and a large sun-bed astern, divided by a bridge of mahogany deck, filleted with maple. Early models were fitted with Chris Craft engines, followed by Chrysler and latterly Riva’s own 220 hp unit, built around a Crusader V8.

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RIVA RAMA
RIVA RAMA

Craftsmanship, design and unmatchable quality have been the hallmarks of Riva since the company’s founding in 1842 in Sarnico, Italy, one of Italy’s great boat-building centers. It’s there that Pietro Riva built his first “Riva,” known for quality craftsmanship and performance ahead of its time. By the 1930s, the business was managed by Pietro’s grandson, Serafino, under whose guidance the company became known for manufacturing small racing boats, which Serafino himself raced. Not content to remain in this niche, the Riva family increased its line to include boats built as much for pleasure as for speed. By the 1950s, the Riva name, under the leadership of Pietro’s grandson, Carlo, Riva became a symbol of quality, elegance, speed and, most notably, wealth. As a result, Riva gained worldwide fame as the luxury boat of choice for kings and queens, matinee idols, corporate titans, entrepreneurs and jet-setters worldwide

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RIVA TRITON
RIVA TRITON

The Tritone was the most important model in the Riva stable, the largest and most expensive boat, and the only to be equipped with twin engines. Its size, power and long range (thanks to large fuel tanks) made it an ideal boat for sea-cruising, and it did much to forge Riva’s reputation in the Mediterranean. Evolving from the BQ 69 designed in 1950 it was given its name in 1953. Its hull design drew on the Corsaro, with the addition of a second row of seats in the cockpit, behind which the stern area was completely decked and used as a sun bed.

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ROYAL LOUIS
ROYAL LOUIS

The first large three-decker, the Royal Louis was completed in Toulon in 1668, and was registered at 200 tons. The Royal Louis was a 3-deck vessel with 120 guns. Her captain was a Squadron Admiral. She was one of the most powerful firsrank vessels belonging to the French Royal Navy at that time. Our ship  model represents  the Royal Louis according to the plans of 1779, when she was Admiral-Ship of the Blue and White Squadron, being part of the American Squadron, also called Eark d’Estaing’s.

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